Cassie Watson Francillon New Orleans, Louisiana
"She uses the harp to journey through genres, wielding true musical alchemy of the Black American experience by merging all
things formal, formless and profane into an intensely soothing and disruptively holy encounter."
-D. Simpson
instagram.com/cassandharp
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supported by 9 fans who also own “Letter To Someone I Haven't Met”
I love this album! It helps me imagine the micro and macrocosms in the earth and in the soil and in space! a multi-scalar, multi sensory experience of ecosystems across time and space. Warm golden light, slow crystal growth over eons, geological forces and deep time, walking through woods, looking at plants and the smell of petrichor (the earthy scent produced when rain falls on dry soil)
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Silver Ladders
by Mary Lattimore
supported by 7 fans who also own “Letter To Someone I Haven't Met”
This album is a hauntingly soothing experience from start to finish.
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Les Filles de Illighadad
by Les Filles de Illighadad
supported by 6 fans who also own “Letter To Someone I Haven't Met”
The song „Tende“ always makes me smile. You can really hear the energy.
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A female voice that feels out of another century quivers over a folk harp on the 11 tracks that make up this exclusive video album.
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I'm Reliving the End Over and Over and Over Again and Its Only the Beginning
by Risa Rubin
On her new album, the harpist continues to use music as a vehicle for self-discovery.
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“Goodbye Max” is bedroom folk in the best sense of the phrase—vulnerable, melodic, and moving.
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supported by 6 fans who also own “Letter To Someone I Haven't Met”
Never heard a song that sounds like this - such a beautiful treatment of rain!
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